BA 1st Semester Major English Important Short Question Answer | PDF Notes Download

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Ans : Shakuntala, the central character in Abhijnana Shakuntalam, is a beautiful, gentle, and graceful woman. Born to the sage Vishwamitra and the celestial nymph Menaka, she is raised in the peaceful hermitage of Sage Kanva. Shakuntala is known for her innocence, purity, and deep connection with nature. She embodies kindness and devotion, especially towards King Dushyanta, whom she marries. Despite her loving nature, Shakuntala faces many trials. When Dushyanta forgets her due to a curse, she experiences heartbreak and confusion, yet she remains patient and strong. Shakuntala’s love for Dushyanta never wavers, even in the face of adversity. She is also portrayed as emotionally resilient, holding onto her values and dignity throughout her struggles. Ultimately, Shakuntala’s character represents the strength of love, faith, and destiny, as she triumphs over the hardships that life throws at her, reclaiming her place as Queen.


Ans : In Abhijnana Shakuntalam, nature plays a crucial role in shaping the story and emotions of the characters. The play is set in a lush, natural environment, the hermitage of Sage Kanva, which reflects purity and simplicity. Nature becomes a symbol of innocence and tranquility, which is closely associated with Shakuntala’s character. Her connection with nature enhances her purity and emotional depth. The beautiful landscapes and serene surroundings emphasize the peace and harmony that Shakuntala experiences in her early life.

Moreover, nature mirrors the emotional journey of the characters. For instance, when Shakuntala is separated from Dushyanta, the changing seasons reflect her inner turmoil. Nature also plays a role in the divine resolution, where the reappearance of a ring, lost in the forest, leads to the reunion of the lovers. Thus, nature acts as both a backdrop and a reflection of the emotional landscape.


Ans : In Abhijnana Shakuntalam, the curses of Sage Durvasa are pivotal to the development of the plot and the emotional journey of the characters. Durvasa curses Shakuntala after she fails to show respect to him, as she is lost in thoughts of her love for King Dushyanta. His curse causes Dushyanta to forget Shakuntala, even though they were deeply in love. This creates a central conflict in the play, leading to Shakuntala’s painful separation from Dushyanta.

The curse highlights themes of fate, destiny, and divine intervention. It emphasizes the idea that even love cannot escape the forces of destiny and divine will. The curse also acts as a test of Shakuntala’s patience and resilience. Ultimately, Durvasa’s curse is a catalyst for the reunion of the lovers, as it leads to the eventual resolution and restoration of Dushyanta’s memory.


Ans : The ring-episode in Abhijnana Shakuntalam plays a crucial role in the plot’s resolution and the reunion of Shakuntala and King Dushyanta. The episode begins when Shakuntala loses a ring given to her by Dushyanta while she is in the forest. This ring, which serves as a symbol of their love and commitment, is later found by a fisherman and becomes a key item in the story.

The ring serves as proof of Shakuntala’s identity and her bond with Dushyanta. When the fisherman presents the ring to Dushyanta, it triggers the restoration of his memory, allowing him to remember Shakuntala and their love. The ring thus plays a divine role in reuniting the separated lovers and ensuring a happy resolution to the play. It also highlights the theme of fate, as the ring ultimately brings about the fulfillment of their destiny.


Ans : In Abhijnana Shakuntalam, Shakuntala shares a close and supportive friendship with her two friends, Anusuya and Priyamvada. Both are portrayed as kind-hearted, loyal, and understanding. They act as Shakuntala’s companions and confidantes, sharing in her joys and sorrows. Anusuya and Priyamvada play an important role in the early part of the play, supporting Shakuntala when she falls in love with King Dushyanta. They understand Shakuntala’s feelings and encourage her love for him.

However, when Shakuntala is separated from Dushyanta due to the curse, her friends provide her with emotional support. They console her, give advice, and remain by her side through her trials. Their friendship highlights the themes of loyalty and companionship, and their relationship with Shakuntala represents the power of true friendship in times of difficulty.


Ans : In Abhijnana Shakuntalam, the scenery at Sage Kanva’s Ashram is described as peaceful and serene, reflecting the simplicity and purity of life in the forest. The ashram is surrounded by lush greenery, tall trees, and flowering plants, creating an atmosphere of tranquility. The natural beauty of the place, with its flowing streams and chirping birds, enhances the spiritual and calm environment of the ashram. The peaceful setting is symbolic of the peaceful and untroubled life that Shakuntala leads in the forest. The ashram represents a place where one can live in harmony with nature and focus on inner growth. The calmness of the surroundings also mirrors the simplicity of life, far away from the complexities and chaos of the royal court.


Ans : “Abhijnana Shakuntalam” is a famous Sanskrit play written by the great poet Kalidasa. The title translates to “The Recognition of Shakuntala” in English. The play is based on the story of Shakuntala, the daughter of Sage Vishwamitra and the celestial nymph Menaka. It tells the story of her love and eventual separation from King Dushyanta. The word “Abhijnana” means “recognition” or “reunion,” which refers to the moment when Dushyanta remembers Shakuntala, despite the curse that made him forget her. The play explores themes of love, memory, destiny, and the influence of divine forces. It is considered one of Kalidasa’s greatest works, celebrated for its poetic beauty, emotional depth, and dramatic structure.


Ans : Vidhushaka is the comic character in Abhijnana Shakuntalam who serves as a light-hearted and humorous figure. He is a close companion of King Dushyanta and often provides comic relief in the play. Vidhushaka’s role is significant as he adds humor and breaks the tension in critical moments. Through his witty dialogues and playful behavior, he lightens the atmosphere and offers a contrast to the serious tone of the main events. He also helps in revealing the emotional depth of the characters, especially King Dushyanta, by providing a humorous perspective. Vidhushaka’s character brings balance to the play, making it not only a tragedy but also an enjoyable experience for the audience.


Ans : In Abhijnana Shakuntalam, the primary “Bhava” (emotion) is Shringara (love), as the play revolves around the deep and pure love between Shakuntala and King Dushyanta. Their love, despite being tested by separation and memory loss, remains the core of the story.

The main “Rasa” (aesthetic experience) in the play is Vira Rasa (heroic mood) and Karuna Rasa (pathos). Vira Rasa is expressed through the strength and dignity of the characters, especially King Dushyanta and Shakuntala, who show great emotional strength. On the other hand, Karuna Rasa is evoked during the emotional struggles and separation of the lovers, highlighting sorrow, pain, and longing. These Rasas blend together to create a dramatic and emotionally powerful experience for the audience.


Ans : The Bhagavad Gita is one of the most important scriptures of Hindu philosophy. It is a dialogue between Lord Krishna and Arjuna, set in the battlefield of Kurukshetra. When Arjuna becomes confused and refuses to fight against his relatives, Krishna guides him with spiritual wisdom.

The significance of the Bhagavad Gita lies in its universal message. It teaches the importance of duty (dharma) without attachment to the results. Krishna explains the idea of Karma Yoga (path of action), Bhakti Yoga (path of devotion), and Jnana Yoga (path of knowledge). These teachings are not limited to religion; they are practical lessons for life.

The Gita inspires people to remain calm in difficulties, to control desires, and to act with a pure heart. It shows that success lies in selfless action and devotion to God. The concept of the immortal soul, which never dies even when the body perishes, gives courage to face challenges and even death.

Thus, the Bhagavad Gita is not only a spiritual book but also a guide to live a balanced, disciplined, and meaningful life. Its wisdom is universal and timeless, teaching humans how to achieve inner peace, self-realization, and harmony with the world.


Ans : In the Mahabharata, during the game of dice in the assembly hall, Yudhishthira lost everything—his kingdom, wealth, brothers, and even himself. Finally, he staked Draupadi, the queen of the Pandavas, and lost her too. After this, Duryodhana ordered his brother Dushasana to bring Draupadi to the court.

When Draupadi was insulted in the assembly, she raised powerful and important questions. Her main question was: “Did Yudhishthira have the right to stake me after he had already lost himself in the game?” She asked if a man who had lost his own freedom could still claim authority over his wife.

Draupadi also questioned the elders present in the court, like Bhishma, Drona, and Vidura, about the justice of such an act. She asked, “Am I won fairly or unfairly?” But none of the elders gave a clear answer, as they were bound by silence and fear.

Her questions exposed the injustice of the situation and the moral weakness of the Kauravas. Ultimately, Lord Krishna protected her dignity when Dushasana tried to disrobe her.

Thus, Draupadi’s questions highlight the themes of dharma, justice, and women’s dignity in the Mahabharata. They remain timeless because they raise concerns about morality, human rights, and the abuse of power.


Ans : After the Pandavas built their grand palace at Indraprastha, Duryodhana visited it and felt jealous. He was humiliated when he slipped and fell in the magical palace, and Draupadi laughed at him. Filled with anger and envy, he returned to Hastinapura determined to take revenge.

Duryodhana knew that he could not defeat the Pandavas in open battle because they were powerful and united. So, he planned to destroy them through deceit. He approached his father, King Dhritarashtra, and spoke cleverly. He said that the Kauravas’ honor was at stake because the Pandavas had become very powerful and wealthy. He convinced Dhritarashtra that if the Pandavas kept rising, the Kauravas would lose their influence.

Duryodhana also reminded his father of his love and partiality towards him. He appealed to his emotions and insisted that something must be done quickly to weaken the Pandavas. Finally, he suggested organizing a game of dice, knowing well that Yudhishthira was fond of gambling. With the help of his uncle Shakuni, who was skilled in deceitful play, Duryodhana was sure of victory.

Though Dhritarashtra hesitated at first, his blind affection for his son made him agree. Thus, Duryodhana’s jealousy, clever words, and Dhritarashtra’s weakness led to the organization of the fateful dice game, which became a turning point in the Mahabharata.


Ans : The Mahabharata is not just one single story but a vast collection of many stories woven together. Its use of narrative frames (stories within stories) makes it one of the greatest epics in world literature.

The outer frame is the story of King Janamejaya’s snake sacrifice, where sage Vaishampayana narrates the Mahabharata. Inside this, there are many sub-stories—of gods, sages, heroes, and ordinary people. These narrative frames are very important for several reasons:

  1. Unity and Connection: The frame links many independent tales into one great epic, making the story continuous.
  2. Moral Lessons: Each smaller story gives teachings about dharma (duty), karma (action), justice, devotion, and values.
  3. Different Perspectives: By including various voices and events, the epic shows that truth and morality are complex and not one-sided.
  4. Entertainment and Interest: The sub-stories—like those of Nala-Damayanti, Savitri-Satyavan, or Rishi stories—add variety and keep the reader engaged.
  5. Symbolic Depth: The frames make the Mahabharata more than a war story; it becomes a mirror of human life, society, and spirituality.

Thus, the narrative frames and numerous storylines serve the purpose of making the Mahabharata a rich, layered, and timeless epic. They transform it into a treasure of philosophy, culture, and storytelling.


Ans : Dhritarashtra was the king of Hastinapura in the Mahabharata. He was the son of Vichitravirya and Queen Ambika, and was born blind. Because of his blindness, he was considered unfit for kingship, but later he became king with the support of Bhishma.

Dhritarashtra’s character is complex. On one side, he was a learned man who knew dharma and the duties of a ruler, but on the other side, he was weak and partial. His greatest weakness was his blind love for his son Duryodhana. Even when Duryodhana did wrong, Dhritarashtra failed to stop him.

His role in the Mahabharata is very important :

  1. He gave silent approval to Duryodhana’s jealousy and plots against the Pandavas.
  2. He agreed to the game of dice, even though he knew it was unfair.
  3. He did not stop Draupadi’s humiliation in the court, which became a major reason for the war.
  4. During the war, he remained passive, though Sanjaya narrated every event to him.
  5. After the war, he repented for his weakness and the destruction of his sons.

Thus, Dhritarashtra’s role shows how blind attachment, weakness, and indecision in a ruler can lead to disaster. He symbolizes a king who knew what was right but failed to act on it.


Ans : Duryodhana always felt jealous and insecure about the Pandavas, especially Yudhishthira’s growing respect and Arjuna’s skill. When he sat with Karna and Shakuni to plan against them, his opinion was clear—he believed that if the Pandavas continued to rise, his own power and rights as heir to the throne would be lost. He considered them his biggest obstacle.

Shakuni, being clever and cunning, filled Duryodhana’s mind with tricks and unfair plans. Karna, on the other hand, fully supported Duryodhana as his loyal friend. In such meetings, Duryodhana often said that dharma (justice) was only a weapon used by the Pandavas to gain sympathy, while real strength was in power, wealth, and strategy. He believed that defeating the Pandavas by any means—whether by cheating in dice, humiliating Draupadi, or preparing for war—was justified.

Duryodhana’s opinion showed his arrogance and greed. He was convinced that Hastinapur’s throne belonged only to him, and he was ready to break family bonds or moral values to achieve it. His discussions with Karna and Shakuni reveal his fixed mindset: “I must win, and the Pandavas must fall.”


Ans : After the first game of dice, the Pandavas had lost their kingdom and wealth. Dhritarashtra, out of fear of bad omens, returned everything to them. But Duryodhana and Shakuni were not satisfied. They again invited Yudhishthira to play a second game of dice. Yudhishthira, bound by his weakness for the game and his sense of duty, agreed.

This time the condition was even harsher. Whoever lost would have to go into exile for twelve years and then spend one year in disguise. If they were recognized during the year of disguise, they would have to repeat the exile. Shakuni again played on behalf of Duryodhana, using his tricks and loaded dice. Yudhishthira, as before, lost every throw.

As a result, the Pandavas were once again defeated. They had to leave their palace, their comforts, and their throne. With Draupadi, they went to the forest to begin their exile. This defeat in the second dice game became the turning point of the Mahabharata. It set the stage for the long exile, the humiliation of Draupadi, and finally, the great war of Kurukshetra.


Ans : After losing in the second game of dice, the Pandavas were forced to go to exile for twelve years and one year of disguise. At that painful moment, Bhima and Arjuna made strong resolutions.

Bhima, burning with anger, vowed that one day he would smash Duryodhana’s thigh, because Duryodhana had insulted Draupadi by striking his thigh and asking her to sit on it. Bhima swore that he would not rest until he had fulfilled this promise.

Arjuna also made a firm resolution. He declared that when the exile ended, he would destroy Karna, who had insulted Draupadi and always supported Duryodhana. He also resolved to use his divine weapons to punish all those who had mocked and humiliated the Pandavas in the assembly hall.

These vows of Bhima and Arjuna gave strength to the Pandavas during exile. They kept alive the hope of justice and laid the foundation for the final war of Kurukshetra.


Ans : When the Pandavas were leaving Hastinapur for exile after losing in the second dice game, Vidura, the wise minister and uncle of both Kauravas and Pandavas, was deeply pained. He observed that injustice had been done to them. He criticized the blind love of Dhritarashtra for Duryodhana, which caused the fall of dharma in the Kuru family. Vidura realized that the humiliation of Draupadi and the exile of the Pandavas would one day bring destruction to the Kauravas.

Vidura gave important advice to the Pandavas. He told them to remain patient and united during the period of exile. He suggested that they should spend their time learning, practicing weapons, and strengthening their character, because the future would demand great courage and preparation. He reminded them that truth and dharma were always on their side, and in the end, justice would prevail. Vidura also advised them to avoid despair and always keep faith in divine power, for fate was preparing them for a greater role in history.Thus, Vidura’s observations reflected both his sorrow at the injustice and his wisdom in guiding the Pandavas towards patience, unity, and hope.

Ans : The departure of Draupadi with the Pandavas for exile is one of the most painful scenes in the Mahabharata. After the Pandavas lost the second game of dice, they were ordered to go into exile for twelve years and one year in disguise. Draupadi, who had already suffered the humiliation in the assembly hall, had to leave the palace with her husbands in grief.

The people of Hastinapur were deeply moved. Many wept openly as they saw Draupadi walking barefoot with torn clothes, leaving behind the luxuries of the palace. She was not only a queen but also the pride of the Pandavas, and her humiliation was seen as the humiliation of dharma itself. The women of the city cried and cursed the Kauravas for such injustice.

At the moment of farewell, Draupadi did not lose her dignity. Though hurt and humiliated, she consoled herself with the hope of justice in the future. She assured the Pandavas that she would share every difficulty with them during exile. Her silent courage and inner strength became a source of inspiration for the Pandavas, especially Bhima and Arjuna, who had vowed revenge.

Thus, Draupadi’s farewell was filled with sorrow, anger, and dignity. It symbolized the victory of patience and morality, even in the face of deep injustice.


Ans : In the “Book of Assembly Hall” of the Mahabharata, Draupadi’s humiliation is one of the most tragic episodes. After Yudhishthira lost everything in the game of dice, including his brothers and himself, he was forced to stake Draupadi. Shakuni won her too, and Duryodhana ordered that Draupadi be brought to the court.

Dushasana dragged Draupadi into the hall by her hair, even though she was menstruating and wearing a single cloth. The Kauravas laughed and mocked her. Duryodhana insulted her further by patting his thigh and asking her to sit on it. Karna also called her a woman of low character and said she no longer deserved respect since she was “won” in the game.

Draupadi stood in the middle of the hall, filled with grief and anger. She questioned the elders—Bhishma, Drona, Vidura—asking whether Yudhishthira, who had already lost himself, had any right to stake her. But most of them remained silent. Dushasana even tried to disrobe her in front of everyone. At this moment, Draupadi prayed to Lord Krishna, who miraculously protected her honor by making her sari endless.

This humiliation of Draupadi in the assembly hall became the deepest wound in the story, which fueled the Pandavas’ vows of revenge and led eventually to the war of Kurukshetra.


Ans : The love alliance between Charudatta and Vasantasena in Mṛichchhakatika is pure and emotional. Charudatta is a poor but noble Brahmin, known for his honesty and generosity. Vasantasena, on the other hand, is a beautiful and wealthy courtesan who longs for true love and respect rather than money or fame. When she meets Charudatta, she is deeply impressed by his character and kindness.

Their love grows from mutual respect and admiration, not from physical attraction. Vasantasena’s love is selfless—she offers her wealth and even risks her life to be with him. Charudatta, though poor, values her feelings and treats her with dignity, not as a courtesan but as a respectable woman. Their relationship symbolizes the victory of true love over social barriers and material wealth.

In the end, despite many misunderstandings and dangers, their love wins when Charudatta is proven innocent and they are united. Thus, the love between Charudatta and Vasantasena represents purity, sacrifice, and the human value of love beyond status or wealth.


Ans : At the end of the play Mrichchhakatika, Charudatta faces a serious problem. He is falsely accused of murdering Vasantasena, who was actually attacked by the wicked man Shakara (Sansthanaka). People believe she is dead, and Charudatta is arrested for her murder. Even though he is innocent, he accepts his fate calmly because he believes in truth and justice.

When Charudatta is about to be executed, Vasantasena suddenly appears alive. She tells everyone that Shakara tried to kill her but she escaped. The truth comes out, and Charudatta is declared innocent. Shakara is punished for his crime.

In the end, Charudatta’s goodness is recognized by all. The king honors him and restores his lost wealth. Vasantasena is also given respect, and both are united in love. The play ends happily, showing that truth and virtue always win over lies and injustice.


Ans : Śūdraka’s Mṛichchhakatika is mainly a social comedy that shows both the joys and problems of human life. Although the play has many comic and romantic scenes, it also presents a deep social crisis — the difference between the rich and the poor, the powerful and the weak.

The hero, Charudatta, is a poor but noble Brahmin who has lost his wealth but not his goodness. The heroine, Vasantasena, is a rich courtesan who longs for love and respect rather than luxury. Through their love story, Sudraka shows the injustice and inequality of society, where money decides a person’s value.

At the same time, the play uses humor and emotion to criticize social evils like greed, pride, and corruption. Characters like Shakara (Sansthanaka) represent cruelty and misuse of power, while Charudatta and Vasantasena represent virtue and humanity.

In the end, justice wins, the guilty are punished, and goodness is rewarded. Thus, Mrichchhakatika becomes not only a romantic comedy but also a social drama that highlights moral values, equality, and the victory of truth.


Ans : In the play Mrichchhakatika, the incident of Vasantasena’s apparent demise is one of the most dramatic and emotional moments. It happens because of Shakara (Sansthanaka), a cruel and wicked man who desires Vasantasena but is rejected by her. Angry and humiliated, he decides to take revenge on her.

One day, Vasantasena goes to meet Charudatta, carrying some ornaments for him. On her way, she meets Shakara, who tries to force her to love him. When she refuses, he becomes violent and strangles her with a piece of cloth, leaving her unconscious in the garden. Thinking she is dead, he runs away.

Soon after, a Buddhist monk finds her lying on the ground and takes her to safety. However, people believe that she has been murdered, and since her ornaments were found near Charudatta’s house, Charudatta is accused of her death.

This false charge brings great sorrow to Charudatta’s life and becomes the turning point of the play. Later, Vasantasena reappears alive during Charudatta’s trial and tells the truth, proving his innocence. Thus, the incident of her apparent death adds suspense and highlights the victory of truth over injustice


Ans : The play Mrichchhakatika by Śūdraka gives a realistic picture of contemporary society during ancient India. It is one of the few Sanskrit plays that shows the life of common people, not just kings and gods. Through its characters and events, Sudraka presents the social, economic, and moral conditions of that time.

The society in the play is diverse and complex. There are rich merchants, poor Brahmins, courtesans, servants, gamblers, thieves, and monks — all living in the same city of Ujjain. This shows a city full of both luxury and poverty. The rich enjoy comfort and pleasure, while honest men like Charudatta struggle with poverty.The play also shows the status of women. Vasantasena, though a courtesan, is portrayed as virtuous and intelligent. This reflects a society where women could have independence but also faced judgment and danger.

The political condition is represented through characters like King Palaka and Sansthanaka (Shakara), who misuse their power. Corruption, injustice, and class discrimination are common, but there are also people like Charudatta who stand for truth and morality.

Overall, Mrichchhakatika reflects a real human society — full of contrasts like wealth and poverty, love and greed, virtue and corruption. Śūdraka’s aim was to show that goodness, compassion, and justice can still survive even in a world full of flaws.


Ans : Bala Kand is the first book of Valmiki’s Ramayana, and it describes the early life of Lord Rama. The main events begin with the story of Valmiki, who asks Narada about the ideal man. Narada describes Rama’s qualities, and Valmiki then writes the Ramayana.

King Dasharatha of Ayodhya has no children, so he performs the Putrakameshti Yajna. From the sacred fire, a divine being gives him payasam, which he distributes among his queens. Soon, Rama, Bharata, Lakshmana, and Shatrughna are born.

When Rama grows up, Rishi Vishwamitra comes to Ayodhya and requests Dasharatha to send Rama with him to protect his yajna from demons. Rama and Lakshmana go with him, defeat Tataka, Subahu, and Maricha, and learn powerful divine weapons. Later, they visit King Janaka’s kingdom, where Rama breaks the great bow of Shiva in Sita’s swayamvar and marries Sita.

The theme of Bala Kand is the beginning of dharma, the growth of an ideal hero, and the power of good over evil. It also highlights the importance of duty, obedience, purity, and divine purpose. Bala Kand sets the foundation for the entire Ramayana by introducing Rama as the perfect example of righteousness.


Ans : In Bala Kand, the poet Valmiki begins the Ramayana with an invocation scene, where he praises the divine forces and sets the sacred tone of the epic. In this section, he seeks blessings to tell the story truthfully and with purity. This invocation connects directly to the birth of Lord Rama, who is considered an incarnation of Lord Vishnu.

The birth of Rama is presented as a divine event that fulfills a heavenly purpose. The gods go to Lord Vishnu and request him to take birth on earth to destroy the powerful demon Ravana, who has become a threat to the world. Vishnu agrees and promises to be born as the son of King Dasharatha.

This divine decision is reflected in the invocation, where Valmiki praises the greatness of Vishnu and prepares the reader for the coming of a divine hero.The birth of Rama happens after Dasharatha performs the Putrakameshti Yajna, and the divine being gives him the sacred payasam. The queens eat it and give birth to Rama and his brothers.

Thus, the invocation scene connects heavenly planning with earthly events, showing that Rama’s birth is not ordinary but a cosmic mission to restore dharma.


Ans : Ayodhya is described as a beautiful, prosperous, and well-planned city ruled by King Dasharatha. It stands on the banks of the Sarayu River and is known for its peace, wealth, and culture. The city is said to have strong gates, wide roads, tall buildings, and crowded marketplaces. People of Ayodhya live happily, follow dharma, and respect their king.

Valmiki describes Ayodhya as a place filled with gardens, temples, music, and learning. The citizens are brave, honest, and skilled in arts and warfare. The city is protected by warriors, elephants, and horses, showing its strength.Dasharatha’s palace shines with gold and precious stones, reflecting his royal dignity. Ayodhya is also famous for its religious life— sages, Brahmins, and learned scholars live there peacefully.

Overall, Ayodhya is portrayed as an ideal city, perfect in beauty, administration, and moral values. It becomes the sacred birthplace of Lord Rama, making it even more important in the Ramayana.


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